Showing posts with label Rabih Alameddine. Show all posts
Showing posts with label Rabih Alameddine. Show all posts

Tuesday, September 2, 2008

Literary Coincidence

It's interesting how once you become aware of something, it keeps popping up. At the moment, I'm referring to The Book of Disquiet by Fernando Pessoa. Here's the little chain that's brought up what seems to be a fairly obscure (for English speakers) Portuguese novel.

As you know, I've been reading The Hakawati by Rabih Alameddine. Last night I finished it. Tonight or tomorrow I will begin to write my review of it for the VQR contest.

Early this afternoon, I discovered The Drawbridge, which looks like a very interesting literary journal. In browsing the current issue, I saw Rabih Alameddine had written an article for them, so I read it. In it he told me yet another story, the beautiful intricacy that is Fernando Pessoa. I'll let him tell you, since I couldn't do it justice.

Then, just now, I learned that Philip Pullman has provided a list of 40 favorite books to the Timesonline for the Waterstone's Writer's Table. We already know that I'm fond of book lists, so I went over his. I haven't read that many items on it, but I agree with him on the ones I have read. What else did I see on his list, but Fernando Pessoa's The Book of Disquiet. That's two recommendations in one day. And from authors I like. So that has decided me, I want to read this book. Now I just have to find a copy, I hope to fit it into my to read pile sometime next year.

Monday, September 1, 2008

Nearing the Finish Line

About 50 pages left to go in The Hakawati. I finally realized why it's been taking me so long. It's so good that I don't want it to end. This happens to me occasionally, though only with certain really good books. I have to become really fond of the characters, in addition to really enjoying the story.

I've also become completely obsessed with Georges Simenon. I've read four of his books so far in the last month or two, and I want more. Fortunately, there are a lot more out there, unfortunately, books cost money. I know, it's a terrible and complicated formula. There are two types of Simenon books out there at the moment, both excellent, though different. The Inspector Maigret mysteries, being published by Penguin in cute, oddly shaped little books. And the New York Review of Books is republishing a lot of his excellent, more literary character studies. Both make for attractive books.

Any new author obsessions out there for you?


UPDATE: Apparently, an interest in Simenon is particularly appropriate on Labor Day weekend. David L. Ulin explains over at the LA Times.

Monday, August 18, 2008

Our Continuing Story

I haven't disappeared, just been reading. I meant to advance write some posts this weekend, but have fallen to the deadly blogger's block.*

The Hakawati is definitely proving to be an interesting book, and I look forward to writing a review when I've finished it. I'll put some of my thoughts here too. I'm currently about 250 pages into it, and would probably have finished it already but for a few things. One, since I want to write a review for the VQR competition, I'm only reading it when I can REALLY focus on it, and take notes as needed. Two, it's an enormous hardcover book, so I'm not carrying it around with me. I'm only reading it at home. The unwieldiness has long been my problem with hardcovers, and this one is the size of a small dictionary. Not too small a dictionary though, still a pretty big one. It's about the size of the Cryptonomicon hardcover, for those of you familiar with Neal Stephenson.

This has resulted in a slight variation on my typical, two-four books at once reading habit. Right now I have a traveling book, and the home book. There have been several traveling books, all slim paperback volumes suitable for tucking into a pocket and whipping out when the situation calls for words in a line. There's also the half-finished poetry book sitting on my coffee table, staring at me, and the recently started short story collection telling me that if I finish it, or am seen reading it in public, I will be magically transformed into a PBR drinking hipster (yuck!). Still, I can't resist its siren song because of my deep and abiding love for anything written/drawn by Art Spiegelman. I saw him speak in 2002 and will never forget it. My eternal regret is that: one, I didn't talk to him personally and two, I did not have anything on me for him to sign.

*Note: Blogger's block should not be confused with Tetris. I've only played a little bit of Tetris this week.

Friday, August 8, 2008

VQR Young Reviewer Contest, Part the First

I mentioned the VQR Young Reviewer Contest in my post Old Fashioned Novels. I've decided both to enter the contest, and to track my progress on this blog.

First step was to pick a book to read and review. I went to the excellent independent book store, BookCourt. Unfortunately I was distracted by their 'buy 2 get one free' sale on NYRB books. I left with more books, but not a qualifying book.

Still, I have high hopes that I will enjoy the books I got.

Anyway, finding a book to review, take two.

I was trying to pass some time near Lincoln Center earlier today, and went into the B&N to browse. I prefer independent book stores, but in a pinch any book store will do. I went to their extensive new fiction selection, and almost immediately (or, after 15 minutes of careful browsing) I found it.

The Hakawati by Rabih Alameddine!

It drew me in immediately. I have previously mentioned that, up to a point, I am willing to judge a book by it's cover, and this one is great. Also when I opened it up to read the description on the inside flap of the dust jacket I saw strong praise from Junot Diaz. Diaz' recommendation certainly means a lot.

I'd also previously blogged about first lines, and I think I have a new favorite of the moment. It's not really a first sentence but a first paragraph that would drown inside the first sentence of Tristram Shandy.

Listen. Allow me to be your god. Let me take you on a journey beyond imagining. Let me tell you a story.


I had failed to mention, in my post about opening lines, my love of the openings of epic poetry, like The Aeneid's "Arma Viremque Cano."*

I love when authors reference this style and open with some similar exhortation to the gods, the muses, or the readers. Alameddine's is perfect.

*I will not here discuss my desire to persuade Yankees Second Baseman Robinson Cano to name a child 'Arma Viremque'. That would be undignified, and he certainly wouldn't do it.**

**Still, it would be awesome...